So I pull plants that I won't have the time or inclination to tend. Nature has been kind in that she's killed them off already, so I don't have that guilt as I load the wheelbarrow. Once the vegetable beds are done with, I pull down the revision strips (lengths of pipe insulation attached to my book shelves) in my office. They've been "knob pin" home to poetry this summer: finished drafts, early versions which are more "random words on a page" than poetry, lines of inspiration for poems not yet begun. Once these are all down and boxed, I can see my books again and I can get ready for the semester.In the fall, I teach two sections of College Comp. I'm meeting them where they live this semester. I've discarded the text book from previous semesters and am entering the classroom with a cracking grammar handbook and a collection of sports-related texts: Hemingway's Death in the Afternoon, some essays from Best of Sports Writing, Raging Bull, and three issues of Sports Illustrated.
I also have Houseman's "To a Dying Athlete." Maybe we'll get that far. Maybe we won't.
I'm currently in "mourning tomatoes" mode. This too shall pass.
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